dea Lesson No.1: January 2006

Saturday, January 21

THE LOVVERS



Supporting Whitehouse at February 19th's Lesson No.1 noise extravaganza is Canada's AIDS Wolf. We cold-called Wolf vocalist Chloe Lum while staring really hard at the picture above and breaking a light sweat.

LESSON NO.1: What do you say to people who’ve dismissed you out of hand because of the name AIDS Wolf? Do you take pleasure in shocking the prudish? And have you ever had any complaints from AIDS sufferers or their families?

Some people have gotten their panties in a bunch because of the AIDS part, others make banal lists and comments about bands having "wolf" as part of their names. We don't really heed either as you will always have people looking for a reason to be offended so they can claim moral superiority and other pointing out the obvious in a weak attempt at wit.

We did not come up with the "AIDS wolf" as a concept, the idea has been floating around in the public psyche for a while. In urban legends where wolves transmit AIDS instead of rabies, in depressing college towns where street gangs spray-paint "AIDS wolf" on the side of buildings. We heard these legends and saw these building at a time. we were looking to form a new band. The two words together sound brutal, but absurd. And once you really think about it, the image is too silly to be a real threat. Our sound is that of buzzsaws but we are nerdy and excitable folks who like comic books more than parties. We are lovvers. We don't need to shock the prudish, they shock themselves with their closed minds and uptightness. Shock someone and wake them up, expose them to something new and add some excitement in their lives. So far, no complaints from AIDS suffers or their families. Everyone gets sick, everyone will die. This shit should not be taboo, AIDS should not be taboo.”

What are AIDS Wolf’s major aims?

Our aim is to simply play the music we'd want to listen too and stay honest to ourselves, each other and our aesthetic vision. Our band exists as a creative outlet for the four of us. We try to make some majik and conjure spirits. We research tones that hypnotize. We are grateful that we are finding a receptive bunch of folks whom we can share our music and art with. Hail Mclean.



In certain press photos you’re all pictured minus various crucial items of clothing, or in some cases, all clothing full stop. Are you naturists, or just comfortable with your bodies? And are these photos trying to make any particular statement?

Free bodies = free minds = free music = free love. Freedom summer. We are animals.

If you could change one thing about the world, what would it be?
To clean up the food production. No more GMOs, hormones or pesticides. No more chemicals use in food prep. No more factory farming and no more farmers and labourers getting paid SHIT or working in unsafe conditions. Have all foods be clean, safe, healthy, tasty, FAIR and environmentally sustainable. It would be great to see governments subsidising ORGANIC farming instead of paying farmers to not produce.

Final question: sum up AIDS Wolf in five words.

Life force warriors, deluxe edition.

Tuesday, January 17

QUESTIONS NEED ANSWERS

Friday, January 13

ALERT! MARCH IS SUPER WRONGNESS MONTH!!!



SCOTCH ALERT!!!!1 NO TIME FOR CHICKENS!!! LESSON NO.1 REQUEST SCOTCH EGG SERVICES IN THE ORGANISATION OF NIGHT OF EXTREME WRONGNESS!



COME QUICKLY SHIGE! BRING WHOLE WRONG MUSIC CREW! BRING DODDODO AND OVENAXX! MARCH VERY SOON!!! M4 VERY LONG! MAKE WITH EXTREME HASTE!!!



CARDIFF DO WRONG TOO! MAXX RAMMAGE MASHES WITH EXTREME WRONGNESS!!!!1 STABMASTER VINYL COME WITH NEW WALTZING AND KLEZMER SOUNDS! CHAMPIONS OF WRONGNESS!!! HERO WELCOME!!!!1 DETAILS SOON!!!

Saturday, January 7

IT WOULD BE LIKE CLUBBING SEALS

Monday, January 2

CUNT FUCKS JUST LIKE A CUNT



The other day someone told us it was always worth giving Lesson No.1 shows a punt because you’d probably see something you’d never seen before. That seems like a good enough place to introduce the unwary to Whitehouse. A national institution in the sense that Broadmoor is a national institution, Whitehouse was founded in 1980 by William Bennett - a sometime-member of abrasive post-punk band Essential Logic, who’d already decided guitars and drums were “loathsome wanking instruments”, and set out to manufacture a music that satisfied his desire for brutality, intensity, and extremity. An ever-mutating cell with Bennett at the helm, Whitehouse harnessed cutting-edge early electronics in the creation of a spree of early albums that merged calculated shock tactics with taboo-shredding subject matter, screaming sheets of white/pink noise, violent/(homo)erotic stageplay and uncompromising force.



In truth, it’s easiest to see early Whitehouse albums as a product of their time: the likes of 1981’s Dedicated To Peter Kurten – Kurten being a notorious German serial killer – and fascist-themed audio manifesto New Britain perhaps work best now as museum pieces, milestones of transgressive sound that have since outlived their purpose. Over time, however, Whitehouse would evolve, its ranks shifting to facilitate new facets of Bennett’s unyielding vision. This circulation of personnel first turned up a flurry of splinter groups and affiliated cells (the likes of Consumer Electronics, Sutcliffe Jugend, Ramleh, and the charmingly-named Male Rape Group) and later, a whole genre of (often pale) imitators, making so-called 'power electronics' - Bennett’s terminology, but one which would eventually come to describe a lurking underworld of pale-skinned misanthropists who trade yellowed cassette-tapes embossed with swastikas and concentration camp images over the internet.

Whitehouse, however, remain ahead of whichever curve you choose to place them on. Sessions recorded with Steve Albini at his Electrical Audio Studios in Chicago yielded a spree of ‘90s albums like Thank Your Lucky Stars, Halogen, and Quality Time that expanded Whitehouse’s range. 2001’s ‘Cruise (Force The Truth)’ was an improbable DJ favourite for none other than Aphex Twin, and it’s possible to hear Bennett and company’s influence in everything from the Japanese noise community to Wolf Eyes, Black Dice and the brutalist end of the Load Records roster.



Whitehouse aren’t, as you might expect, to everyone’s tastes. The Wire, in last year’s article on the role of comedy in music, wrote up a rather pejorative picture of the Whitehouse experience: “Bennett patiently and deliberately annoys everyone within earshot, simultaneously lampooning cock-rock posturing, fashionable nihilism, and every other desperate attempt to titillate the jaded. Song titles almost give the game away. ‘Lightning Struck My Dick’? ‘Rapemaster’? ‘I’m Coming Up Your Ass’? Most 12 year olds would find this degree of intellectually stunted sex obsession a bit much”. Hmmm, now, no arguments, Whitehouse are funny: live favourite ‘Just Like A Cunt’, for instance, is pure Derek And Clive - a rabid, mouth-frothing satire on the cosmetics industry (or a slice of rabid misogyny, if that's really how you choose to read it, but let's hope it doesn't come in the same breath as you droning at your girlfriend to pluck her eyebrows or shave her legs).

Recent years, however, have seen Whitehouse – now honed to a duo, just Bennett and right hand man, Philip Best - pursuing an intellectual eloquence to match their foul mouths. Take 2003’s Birdseed: part concept album about anorexia nervosa, cosmetic surgery, and poor body image, part hysterical hatchet job on modern celebrity (Tracey Emin gets it in the neck on ‘Why You Never Became A Dancer’; ‘Wriggle Like A Fucking Eel’ tuns the spotlight on Michael Barrymore’s poolside manner), it finds th literal brutality of old accompanied by hammer-head satire and blacker-than-black comedy. Yes, Whitehouse are funny. But – and this is the crucial bit - you can take them as high comedy, or as high seriousness - or at many other points in between.

Anyway, Whitehouse play their first ever Welsh show downstairs at Clwb Ifor Bach on February 19th. No MP3s online, but one of Lesson No.1 were involved in the making of a Radio 1 documentary including Whitehouse, which should act as a neat introduction - hear that here. Tickets are available for £6, up on the Clwb website soon.

EDIT: As requested in the comments, here's a Quicktime vid of Whitehouse's Philip Best performing 'Dans Grozny Dans' at Clwb Ifor Bach last September. It's hosted on You Send It, which allows for a limited number of downloads, but if the link's expired leave a note in the comments and I'll repost it.

Photos courtesy of Susan Lawly